There’s a dualism that runs throughout the lifeblood of Bristol-based Corre. It’s a duo of sorts, but not a traditional one: Henry Green is a cult electronic producer, while Hattie Ellis crafts dreamy photography. It’s this sense of opposites attracting, poles magnetising, that the project is built on.
In terms of sound, there are clear correlations with similarly hypnotic, ephemeral ambient producers: think Aphex Twin, Nils Frahm and Jon Hopkins. But there’s something new, raw and innocent in the music’s lapping waves. The visuals are realised in a short film, set amidst the mistiness of the Gothenburg Archipelago.