Tom Jenkinson presents Kammerkonzert, a tightly wrought work that drives onyx-hard riffs and intricate orchestral themes through sudden shifts in pace and tone. Progressive composition, ambient space and electronic intensity collide in typically uncompromising fashion. Over three decades, Squarepusher has forged a catalogue built on restless invention – from the breakbeat ferocity of Feed Me Weird Things to the exploratory jazz of Ultravisitor and the stark virtuosity of Solo Electric Bass 1. Unpredictability and rule-breaking define the arc. On Warp Records, Kammerkonzert pushes further. Conceived as a chamber concerto and performed entirely by Jenkinson, it reshapes his electronic language into focused compositional form. Twenty-one albums in, it signals a striking new phase for Squarepusher as composer and solo orchestrator.