Róisín Murphy’s 2015 album Hairless Toys marked a significant return after an eight-year hiatus, during which she delved into personal and collaborative explorations. Departing from her disco-infused past, the album takes a quieter and more personal approach, evident in tracks like ‘Gone Fishing’, inspired by 1980s ball culture. Murphy’s understated delivery, notably on ‘Evil Eyes’ and the expansive ‘Exploitation’, creates a sophisticated and meditative atmosphere, avoiding the pitfalls of mere tastefulness. Quirks, such as the synth bass in ‘Uninvited Guest’, coexist seamlessly with the album’s cohesive mood.