Falmouth-formed Moreish Idols return with details with their highly anticipated debut album All In The Game, on Speedy Wunderground. Moreish Idols have carved out a unique position for themselves in the burgeoning London scene. Whereas their debut material showcased a restless, jerky, jagged and rhythmically centred sound that bore the influence of energetic post-punk, their second EP showcased an entirely different side to the band, combining swooning tremolo guitars, prickly melodic riddles, erudite saxophone improvs, and flexible rhythms. All In The Game is filled with Dan Carey’s eccentric production ideas, largely inspired by the concept of time. For the title-track, Carey asked Humphreys to play the same saxophone part at different tempos, recording onto tape which was itself moving at different speeds. He also suggested splitting one of the demo tracks in half, with the first half played as the opening track Ambergrin, and the second as the slower, less saturated outro Time’s Wasting: designed to sound like a memory of the former.