If you think you know already what you’ll be getting into here - heady, Television-esque multi-guitar jams played with motorik precision and a fiercely American intensity - you know a Forsyth record well, go ahead and think that. Only... maybe the pulsing bass, curiously lurching drumbeat, and lunar synth squiggling of Sun Ra Arkestra maestro Marshall Allen that opens “Experimental and Professional” will set you back on your heels. But just for a moment, before Ryan Jewell’s drums and Tortoise alum Douglas McCombs’s bass twine into perfect alignment and then guitars played by Forsyth and Tom Malach (of Garcia Peoples) start chipping and hammering, twittering and sparring, the whole thing manages to evoke Remain in Light without sounding remotely like it.